home *** CD-ROM | disk | FTP | other *** search
- <text id=90TT1587>
- <title>
- June 18, 1990: Universal's Swamp of Dreams
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- June 18, 1990 Child Warriors
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BUSINESS, Page 64
- Universal's Swamp of Dreams
- </hdr>
- <body>
- <p>A $640 million theme park is off to a shaky but promising start
- </p>
- <p>By Richard Corliss
- </p>
- <p> Steven Spielberg wants to be Walt Disney. Jay Stein wants
- to get even with the Walt Disney Co. So the movie director, who
- in the past decade has created a boutique industry of family
- films in the grand old Disney tradition, and the president of
- MCA's recreation division, who believes his idea for a
- movie-studio theme park was filched by Disney Chairman Michael
- Eisner a decade ago, were just the fellows to devise Universal
- Studios Florida in Orlando, ten miles up the road from
- omnipotent Walt Disney World.
- </p>
- <p> "If you build it, they will come." That rallying cry, from
- Universal's hit film Field of Dreams, embodies the sentiment
- that inspired Stein and MCA to develop 444 acres of
- snake-infested swamp into the largest U.S. moviemaking complex
- outside Hollywood and a handsome leisure world nearly twice the
- size of rival Disney-MGM Studios. With a partner, Britain's
- Rank Organization, and $640 million worth of muscle and
- imagination, MCA was ready to pose a serious challenge to
- Disney, on its own terms, for the hearts, minds and
- discretionary income of the 13 million tourists who visit
- Central Florida each year.
- </p>
- <p> When Universal Studios Florida finally opened last week, the
- people did come, but the field of dreams was not ready for
- play. The park's most anticipated attractions, a pair of $40
- million thrill rides based on King Kong and Jaws, were
- operating sporadically or not at all, thanks to last-minute
- tinkering with the daunting computer systems that run them.
- When the Earthquake ride was closed for repairs, those in the
- queue chorused an angry demand for "Re-fund! Re-fund!" (and got
- it). Others stood in line nearly two hours to experience
- Spielberg's rapturous E.T. Adventure, one of the two
- functioning rides.
- </p>
- <p> The delays were one more obstacle in Stein's Sisyphean
- journey to realize his dream park. He had first proposed the
- idea two decades ago. In 1980 he pitched a partnership to
- Paramount, where Eisner was president before taking over
- Disney. (Eisner says he was not at the meeting.) Last year
- Cineplex Odeon backed out as co-sponsor. And still Stein
- pursued his vision, like the Jaws shark searching for fresh
- kill. In the weeks before the opening, he walked dozens of
- journalists through the unfinished attractions. So beguiling was
- Stein's spiel that some reporters obligingly described the
- experience as if they had been on the completed rides and the
- park was ready to roll.
- </p>
- <p> So what do you want for $30.74? And what, eventually, will
- you get? An anti-Disney World, as far removed in spirit from
- the Magic Kingdom as gray (the dominant color) is from glitz.
- Both parks have strolling characters, but instead of Mickey and
- Minnie, Universal has Frankenstein, Marilyn Monroe,
- Beetlejuice. Both places will sell you plenty of food, but
- Universal's is spicier, tastier, more sophisticated. In
- movie-ratings terms, Disney's rides are G (for Gentle),
- Universal's PG (for Pretty Grisly).
- </p>
- <p> Spielberg aptly calls the attractions "fun-scary." Jaws
- propels the great white at a boatful of innocent tourists,
- culminating in a nifty moment when the shark chomps on a
- pontoon and spins the craft in a deadly semicircle. Earthquake
- unleashes a flood in a San Francisco subway station during a
- tremor that registers 8.3 on the rictus scale. On the
- Kongfrontation ride, the big monkey goes ape in Manhattan,
- nastily juggling the passengers in a suspended tram; it looks
- great but needs to move faster. The Funtastic World of
- Hanna-Barbera sends cartoon fans on a witty, jolting whirl into
- the Jetsons' outer space, through the Flintstones' Bedrock, and
- straight down the crevasses of Jellystone Park. Only the lovely
- E.T. ride, which puts visitors on bikes to pedal the cuddly
- alien back home, is suitable for toddlers.
- </p>
- <p> Universal never wants you (or Hollywood moviemakers) to
- forget that the park is a working film studio, where visitors
- may turn any street corner and see a real picture being shot.
- One show instructs the layman in moviemaking (postproduction,
- makeup, special effects) and movie history. In the Alfred
- Hitchcock pavilion, visitors can peer through binoculars at a
- clever model of the courtyard that James Stewart looked out on
- in Rear Window.
- </p>
- <p> To pit Disney against Universal is to compare candy apples
- and plastic oranges. Both give value for money; both provide
- state-of-the-park tingles. At least Universal Studios Florida
- will also, once it gets revved up. Spielberg calls the
- enterprise a "work in progress," preferring to look ahead to
- his Cliffhanger and Back to the Future rides and the imminent
- invasion of the park by that cartoon bad boy Bart Simpson.
- "Years from now," he predicts, "nobody will remember that this
- wonderful place had teething pains." He might also have
- mentioned the notorious glitches--gridlock, streets gooey
- with hot tar, customers close to mutiny--that plagued the
- debut of a small California park in 1955. That one was called
- Disneyland.
- </p>
-
- </body>
- </article>
- </text>
-
-